![]() Use less gain that you will usually do, so recording is more clear. (probalby you will remove some bass frequencies to help it sits with the bass guitar and boost some high mids like in 2000/3000 zone) ![]() So if you stick to 2 and do it very well, is enough to be happy.īesides the width, you should use a metal amplifier (real or simulated) and set his controls (and then mix and equalize it) using a similar tone.įor this you need just to spend some hours in some trial and error (if it is your first experience) until you get the right sound both in the amp itself but also in the mixed track with the equalizer. (also mixing/EQing becomes then more difficult) The more tracks the more it gets complicated. speed punk or speed metal) is difficult because you need tightness when playing. You can use some tricks like panning short delay, but it is not comparable, won't give the sound that you want actually.įor slow speed stuff you can go up to 4, for speed stuff (es. Only 1 guitar in 1 track without this opposite panning, won't give a wide perceveid sound. Sometimes using also different amps for each track equalized then to sound similar. Usually for distorted guitars dual tracking and panning them opposite side (es. Does anyone have experience with Vir2 Electri6ity I was looking at VST guitars for production and stumbled upon this and Shreddage 2. ![]() It uses wider/narrower stereo imaging? It simply has higher gain? It is panned to a greater or lesser degree? Double tracking was used? Etc.Speaking only about width:
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